Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her..揉揉樂(lè)提供了榮耀六十年劇情片,免費(fèi)全集榮耀六十年劇情片在線觀看,榮耀六十年劇情片在線觀看。榮耀六十年是由Herbert Wilcox執(zhí)導(dǎo)、Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla主演的劇情片全集,在1938年英國(guó)上映播出,揉揉樂(lè)提供了榮耀六十年劇情片,免費(fèi)全集榮耀六十年劇情片觀看,榮耀六十年劇情片在線觀看,并且還可以支持手機(jī)看,不需要下載播放器,方便廣大影迷.
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor揉揉樂(lè)提供了榮耀六十年劇情片,免費(fèi)全集榮耀六十年劇情片在線觀看,榮耀六十年劇情片在線觀看。榮耀六十年是由Herbert Wilcox執(zhí)導(dǎo)、Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla主演的劇情片全集,在1938年英國(guó)上映播出,揉揉樂(lè)提供了榮耀六十年劇情片,免費(fèi)全集榮耀六十年劇情片觀看,榮耀六十年劇情片在線觀看,并且還可以支持手機(jī)看,不需要下載播放器,方便廣大影迷.
揉揉樂(lè)提供《榮耀六十年》免費(fèi)播放和劇情片《榮耀六十年》在線觀看免費(fèi)全集完整版
該片《榮耀六十年》英語(yǔ)在1938年英國(guó)地區(qū)上映佳片,更新時(shí)間2024-05-30T00:55:54
百度網(wǎng)友:電影攝影、制作設(shè)計(jì)和特效方面,雖然《榮耀六十年》是一部劇情片,但其在這些方面的表現(xiàn)同樣出色。攝影畫(huà)面清晰、構(gòu)圖精美,制作設(shè)計(jì)精細(xì)入微,特效運(yùn)用也恰到好處,為觀眾呈現(xiàn)出了一個(gè)真實(shí)而又充滿想象力的故事世界。
優(yōu)酷網(wǎng)友:《榮耀六十年》剪輯和節(jié)奏方面,該劇的剪輯流暢自然,節(jié)奏把握得當(dāng)。既能夠保持劇情的緊湊性,又能夠給予觀眾足夠的思考空間和時(shí)間。這種恰到好處的剪輯和節(jié)奏控制,使得整部劇集在敘事上更加流暢和引人入勝。
揉揉樂(lè)網(wǎng)友:《榮耀六十年》的對(duì)話設(shè)計(jì)巧妙且富有深度。人物之間的對(duì)話不僅推動(dòng)了劇情的發(fā)展,還揭示了人物的性格特點(diǎn)和內(nèi)心世界。這種富有層次的對(duì)話設(shè)計(jì),使得觀眾在觀影過(guò)程中更加能夠理解和感受角色的情感變化。
片頭的主題,人物設(shè)定,人物作用,人物表情,人物對(duì)話,劇情發(fā)展,結(jié)尾一秒,切換到春晚式的結(jié)尾,完全是好萊塢式的。但總體來(lái)說(shuō)《榮耀六十年》完成度是很高的,希望技術(shù)進(jìn)步,整體水平提升后,能誕生更多的原創(chuàng)作品,無(wú)論是題材、設(shè)定還是故事。
我喜歡看榮耀六十年電影?!稑s耀六十年》這部電視劇給我的感覺(jué)有兩點(diǎn)。第一, Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commis..。第二是電影總是充滿人文關(guān)懷,思考人生價(jià)值,在生與死、科技與人文之間取舍。這部電影對(duì)我來(lái)說(shuō)很真實(shí)。我特別喜歡外太空和火星里的片段。我有很強(qiáng)的真實(shí)視覺(jué)沖擊感,很享受那一瞬間的快感。這就是男人的堅(jiān)強(qiáng)之心。崇拜?。?