Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besie..揉揉樂提供了紐約夜月情喜劇片,免費(fèi)全集紐約夜月情喜劇片在線觀看,紐約夜月情喜劇片在線觀看。紐約夜月情是由沃倫·萊特執(zhí)導(dǎo)、Matthew Broderick,Jeanne Tripplehorn,Tim Guinee主演的喜劇片全集，在1993年美國上映播出，揉揉樂提供了紐約夜月情喜劇片,免費(fèi)全集紐約夜月情喜劇片觀看,紐約夜月情喜劇片在線觀看，并且還可以支持手機(jī)看，不需要下載播放器,方便廣大影迷.
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...揉揉樂提供了紐約夜月情喜劇片,免費(fèi)全集紐約夜月情喜劇片在線觀看,紐約夜月情喜劇片在線觀看。紐約夜月情是由沃倫·萊特執(zhí)導(dǎo)、Matthew Broderick,Jeanne Tripplehorn,Tim Guinee主演的喜劇片全集，在1993年美國上映播出，揉揉樂提供了紐約夜月情喜劇片,免費(fèi)全集紐約夜月情喜劇片觀看,紐約夜月情喜劇片在線觀看，并且還可以支持手機(jī)看，不需要下載播放器,方便廣大影迷.
揉揉樂提供《紐約夜月情》免費(fèi)播放和喜劇片《紐約夜月情》在線觀看免費(fèi)全集完整版
該片《紐約夜月情》英語在1993年美國地區(qū)上映佳片，更新時(shí)間2024-05-30T01:18:52
百度網(wǎng)友：電影攝影、制作設(shè)計(jì)和特效方面，雖然《紐約夜月情》是一部喜劇片，但其在這些方面的表現(xiàn)同樣出色。攝影畫面清晰、構(gòu)圖精美，制作設(shè)計(jì)精細(xì)入微，特效運(yùn)用也恰到好處，為觀眾呈現(xiàn)出了一個(gè)真實(shí)而又充滿想象力的故事世界。
優(yōu)酷網(wǎng)友：《紐約夜月情》剪輯和節(jié)奏方面，該劇的剪輯流暢自然，節(jié)奏把握得當(dāng)。既能夠保持劇情的緊湊性，又能夠給予觀眾足夠的思考空間和時(shí)間。這種恰到好處的剪輯和節(jié)奏控制，使得整部劇集在敘事上更加流暢和引人入勝。
揉揉樂網(wǎng)友：《紐約夜月情》的對話設(shè)計(jì)巧妙且富有深度。人物之間的對話不僅推動了劇情的發(fā)展，還揭示了人物的性格特點(diǎn)和內(nèi)心世界。這種富有層次的對話設(shè)計(jì)，使得觀眾在觀影過程中更加能夠理解和感受角色的情感變化。
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片頭的主題，人物設(shè)定，人物作用，人物表情，人物對話，劇情發(fā)展，結(jié)尾一秒，切換到春晚式的結(jié)尾,完全是好萊塢式的。但總體來說《紐約夜月情》完成度是很高的，希望技術(shù)進(jìn)步，整體水平提升后，能誕生更多的原創(chuàng)作品，無論是題材、設(shè)定還是故事。
我喜歡看紐約夜月情電影。《紐約夜月情》這部電視劇給我的感覺有兩點(diǎn)。第一， Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner..。第二是電影總是充滿人文關(guān)懷，思考人生價(jià)值，在生與死、科技與人文之間取舍。這部電影對我來說很真實(shí)。我特別喜歡外太空和火星里的片段。我有很強(qiáng)的真實(shí)視覺沖擊感，很享受那一瞬間的快感。這就是男人的堅(jiān)強(qiáng)之心。崇拜！！