It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them. Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Ad..揉揉樂提供了四重奏愛情片,免費全集四重奏愛情片在線觀看,四重奏愛情片在線觀看。四重奏是由詹姆斯·伊沃里執導、阿蘭·貝茨,瑪吉·史密斯,伊莎貝爾·阿佳妮,安東尼·希金斯主演的愛情片全集，在1981年法國上映播出，揉揉樂提供了四重奏愛情片,免費全集四重奏愛情片觀看,四重奏愛情片在線觀看，并且還可以支持手機看，不需要下載播放器,方便廣大影迷.
It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them. Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries. When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact." Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance. Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.揉揉樂提供了四重奏愛情片,免費全集四重奏愛情片在線觀看,四重奏愛情片在線觀看。四重奏是由詹姆斯·伊沃里執導、阿蘭·貝茨,瑪吉·史密斯,伊莎貝爾·阿佳妮,安東尼·希金斯主演的愛情片全集，在1981年法國上映播出，揉揉樂提供了四重奏愛情片,免費全集四重奏愛情片觀看,四重奏愛情片在線觀看，并且還可以支持手機看，不需要下載播放器,方便廣大影迷.
揉揉樂提供《四重奏》免費播放和愛情片《四重奏》在線觀看免費全集完整版
該片《四重奏》英語在1981年法國地區上映佳片，更新時間2024-04-20T15:24:26
百度網友：電影攝影、制作設計和特效方面，雖然《四重奏》是一部愛情片，但其在這些方面的表現同樣出色。攝影畫面清晰、構圖精美，制作設計精細入微，特效運用也恰到好處，為觀眾呈現出了一個真實而又充滿想象力的故事世界。
優酷網友：《四重奏》剪輯和節奏方面，該劇的剪輯流暢自然，節奏把握得當。既能夠保持劇情的緊湊性，又能夠給予觀眾足夠的思考空間和時間。這種恰到好處的剪輯和節奏控制，使得整部劇集在敘事上更加流暢和引人入勝。
揉揉樂網友：《四重奏》的對話設計巧妙且富有深度。人物之間的對話不僅推動了劇情的發展，還揭示了人物的性格特點和內心世界。這種富有層次的對話設計，使得觀眾在觀影過程中更加能夠理解和感受角色的情感變化。
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片頭的主題，人物設定，人物作用，人物表情，人物對話，劇情發展，結尾一秒，切換到春晚式的結尾,完全是好萊塢式的。但總體來說《四重奏》完成度是很高的，希望技術進步，整體水平提升后，能誕生更多的原創作品，無論是題材、設定還是故事。
我喜歡看四重奏電影。《四重奏》這部電視劇給我的感覺有兩點。第一， It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage..。第二是電影總是充滿人文關懷，思考人生價值，在生與死、科技與人文之間取舍。這部電影對我來說很真實。我特別喜歡外太空和火星里的片段。我有很強的真實視覺沖擊感，很享受那一瞬間的快感。這就是男人的堅強之心。崇拜！！