"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering..揉揉樂提供了鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965綜藝,免費(fèi)全集鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965綜藝在線觀看,鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965綜藝在線觀看。鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965是由Murray Lerner執(zhí)導(dǎo)、Bob Dylan,Joan Baez,Judy Collins主演的綜藝全集，在0年美國上映播出，揉揉樂提供了鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965綜藝,免費(fèi)全集鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965綜藝觀看,鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965綜藝在線觀看，并且還可以支持手機(jī)看，不需要下載播放器,方便廣大影迷.
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.揉揉樂提供了鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965綜藝,免費(fèi)全集鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965綜藝在線觀看,鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965綜藝在線觀看。鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965是由Murray Lerner執(zhí)導(dǎo)、Bob Dylan,Joan Baez,Judy Collins主演的綜藝全集，在0年美國上映播出，揉揉樂提供了鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965綜藝,免費(fèi)全集鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965綜藝觀看,鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965綜藝在線觀看，并且還可以支持手機(jī)看，不需要下載播放器,方便廣大影迷.
揉揉樂提供《鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965》免費(fèi)播放和綜藝《鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965》在線觀看免費(fèi)全集完整版
該片《鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965》英語在0年美國地區(qū)上映佳片，更新時(shí)間2024-04-20T15:34:12
百度網(wǎng)友：電影攝影、制作設(shè)計(jì)和特效方面，雖然《鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965》是一部綜藝，但其在這些方面的表現(xiàn)同樣出色。攝影畫面清晰、構(gòu)圖精美，制作設(shè)計(jì)精細(xì)入微，特效運(yùn)用也恰到好處，為觀眾呈現(xiàn)出了一個(gè)真實(shí)而又充滿想象力的故事世界。
優(yōu)酷網(wǎng)友：《鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965》剪輯和節(jié)奏方面，該劇的剪輯流暢自然，節(jié)奏把握得當(dāng)。既能夠保持劇情的緊湊性，又能夠給予觀眾足夠的思考空間和時(shí)間。這種恰到好處的剪輯和節(jié)奏控制，使得整部劇集在敘事上更加流暢和引人入勝。
揉揉樂網(wǎng)友：《鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965》的對話設(shè)計(jì)巧妙且富有深度。人物之間的對話不僅推動(dòng)了劇情的發(fā)展，還揭示了人物的性格特點(diǎn)和內(nèi)心世界。這種富有層次的對話設(shè)計(jì)，使得觀眾在觀影過程中更加能夠理解和感受角色的情感變化。
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片頭的主題，人物設(shè)定，人物作用，人物表情，人物對話，劇情發(fā)展，結(jié)尾一秒，切換到春晚式的結(jié)尾,完全是好萊塢式的。但總體來說《鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965》完成度是很高的，希望技術(shù)進(jìn)步，整體水平提升后，能誕生更多的原創(chuàng)作品，無論是題材、設(shè)定還是故事。
我喜歡看鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965電影。《鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965》這部電視劇給我的感覺有兩點(diǎn)。第一， "Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is t..。第二是電影總是充滿人文關(guān)懷，思考人生價(jià)值，在生與死、科技與人文之間取舍。這部電影對我來說很真實(shí)。我特別喜歡外太空和火星里的片段。我有很強(qiáng)的真實(shí)視覺沖擊感，很享受那一瞬間的快感。這就是男人的堅(jiān)強(qiáng)之心。崇拜！！